Information and Guide to Anglo-Irish writer Samuel Beckett
created and maintained in Dublin, Ireland
En Attendant Godot, 1952 - Waiting for Godot - Godota odotellessa / Huomenna hän tulee
"He puts the bones in his pocket"
Endgame - Fin de Partie , 1957
"Zero, Zero, and Zero"
# ACTE SANS PAROLES, 1958
# KRAPP'S LAST TAPE, 1959 - Viimeinen ääninauha
# ALL THAT FALL, 1959 - Kaikkien kaatuvien tie
# HAPPY DAYS, 1961 - Voi miten ihana päivä, suom. Juha Mannerkorpi
# WORDS AND MUSIC, 1962
# ACTE SANS PAROLES II, 1963
# CASCANDO, 1963
# PLAY, 1964
# BING, 1966
# VA ET VIENT, 1967 - Come and Go
# NO KNIFE, 1967
# EH JOE, 1967
# L'ISSUE, 1968
# SANS, 1968
# BREATH, 1970
# SÉJOUR, 1970
# LE DÉPEUPLER, 1971
# BREATH AND OTHER SHORT PLAYS, 1972
# ABANDONNE, 1972
# THE NORTH, 1972
Not I, 1973
# STILL, 1974
# ALL STRANGE AWAY, 1976
# GHOST TRIO, 1976
# THAT TIME, 1976
# ROUGH FOR THEATRE I, 1976
# ROUGH FOR RADIO I, 1976
# ROUGH FOR RADIO II, 1976
# ... BUT THE CLOUDS..., 1977
# MIRLITONNADES, 1978
Company, 1979
"Better hope deferred than none."
# ALL STRANGE AWAY, 1979
# NOHOW ON, 1981
# ROCKABY, 1982
# OHIO IMPROMPTU, 1982
# A PIECE OF MONOLOGUE, 1982
# MAL VU MAL DIT, 1982 - ILL SEEN ILL SAID - Huonosti nähty, huonosti sanottu
# WHAT WHERE, 1983
# NACHT UND TRÄUME, 1983
# THE COLLECTER SHORTER PLAYS OF SAMUEL BECKETT, 1984
# QUAD, 1984
# CATASTROPHE, 1984
# COMPLETE DRAMATIC WORKS, 1986
# HOMMAGE À JACK B. YEATS, 1988
# TELEPLAYS, 1988
# LE MONDE ET LE PANTALON, 1989
# STIRRING STILL, 1989
"He puts the bones in his pocket"
Endgame - Fin de Partie , 1957
"Zero, Zero, and Zero"
# ACTE SANS PAROLES, 1958
# KRAPP'S LAST TAPE, 1959 - Viimeinen ääninauha
# ALL THAT FALL, 1959 - Kaikkien kaatuvien tie
# HAPPY DAYS, 1961 - Voi miten ihana päivä, suom. Juha Mannerkorpi
# WORDS AND MUSIC, 1962
# ACTE SANS PAROLES II, 1963
# CASCANDO, 1963
# PLAY, 1964
# BING, 1966
# VA ET VIENT, 1967 - Come and Go
# NO KNIFE, 1967
# EH JOE, 1967
# L'ISSUE, 1968
# SANS, 1968
# BREATH, 1970
# SÉJOUR, 1970
# LE DÉPEUPLER, 1971
# BREATH AND OTHER SHORT PLAYS, 1972
# ABANDONNE, 1972
# THE NORTH, 1972
Not I, 1973
# STILL, 1974
# ALL STRANGE AWAY, 1976
# GHOST TRIO, 1976
# THAT TIME, 1976
# ROUGH FOR THEATRE I, 1976
# ROUGH FOR RADIO I, 1976
# ROUGH FOR RADIO II, 1976
# ... BUT THE CLOUDS..., 1977
# MIRLITONNADES, 1978
Company, 1979
"Better hope deferred than none."
# ALL STRANGE AWAY, 1979
# NOHOW ON, 1981
# ROCKABY, 1982
# OHIO IMPROMPTU, 1982
# A PIECE OF MONOLOGUE, 1982
# MAL VU MAL DIT, 1982 - ILL SEEN ILL SAID - Huonosti nähty, huonosti sanottu
# WHAT WHERE, 1983
# NACHT UND TRÄUME, 1983
# THE COLLECTER SHORTER PLAYS OF SAMUEL BECKETT, 1984
# QUAD, 1984
# CATASTROPHE, 1984
# COMPLETE DRAMATIC WORKS, 1986
# HOMMAGE À JACK B. YEATS, 1988
# TELEPLAYS, 1988
# LE MONDE ET LE PANTALON, 1989
# STIRRING STILL, 1989
Plays: En Attendant Godot (Paris, Les Editions de Minuit, 1952; New York, Grove Press, 1954). First production, Theatre De Barytone, 5th January 1953 . English translation as Waiting For Godot. All Tbat Fall (New York Grove Press, 1957. Produced BBC, 1957); Fin De Partie (Paris Les Editions de Minuit, 1957). Translated into English as Endgame (New York, Grove Press, 1958; London Faber and Faber. 1958). First production of English translation, London, 1958. Krapp 's Last Tape (London Faber and Faber, 1959. New York Evergreen, 1960). First Production, London, 1958. Embers (London, Faber and Faber, 1960. New York Grove Press, 1960). First production, BBC, 1959. Happy Days (New York, Grove Press, 1961). First production. New York 1961. Play (London, Faber and Faber, 1964). First production, New York, 1964, London, 1964. Film (New York, Grove Press, 1969). First production, 1969. Not I (London Faber and Faber, 1973). First production, New York, 1972. Foofalls (New York, Grove Press, 1976). First production. London, 1976. Rockaby (London, Faber and Faber, 1982). First production, Buffalo, New York, 1981. What Where (London, Faber and Faber. 1984). First production, New York, 1983. Eleutheria (Paris, Les Editions de Minuit, 1996. English translation as Eleutheria by Joseph Brodsky. New York, Foxrock, 1995.